Dilwara Temple, Mount Abu
Mount Abu, Rajasthan; ca. 1870s
Albumen silver print
Metropolitan Museum of Art, New York, Gift of Cynthia Hazen Polsky
(MMA-2001.624.3)
The fourteen dreams of Queen Trishala
From a manuscript of the Kalpasutra
Jaunpur, Eastern Uttar Pradesh; mid-15th century
Opaque watercolor with gold on paper
Cynthia Hazen Polsky Collection (9000-IP)
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The Temple and Sacred Text
Ranging from wayside shrines to huge building complexes covered
with sculptures and enclosed by walled courtyards with imposing
gateways, the Hindu temple is the abode of a deity, the meeting-place
between the worlds of men and the gods. Devotees visit the temple
above all for vision (darshan) of the deity, especially through
beholding the eyes of the divine image. Jain temples, which include
some of the most intricately carved interiors in India, have much
in common with their Hindu counterparts. For Jain, Hindu, and Buddhist
faithful, the commissioning of opulent religious manuscripts for
the use of temples and monks was auspicious and an act of merit.
Following the arrival of large numbers of Muslims to India, the
illustrated religious texts were among the best ways to preserve
religious traditions.
When the British first came to India, they were utterly entranced
by Indian temple architecture. As seen here, some of the most popular
subjects for early British photographers on their tour of India
were scenes and subjects related to temples.
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