Ge You

Ge You first received international attention as the androgynous aesthete Master Yuan in Chen Kaige’s lavish, controversial period drama of homoeroticism in the Peking Opera, “Farewell, My Concubine” (1993). He followed up with his first leading role in features as one of two middle-class city dwellers, left behind by ambitious spouses, who begin a tentative romance in the gentle “Da Sa Ba/After Separation” (1993). He won his second Golden Rooster for this film, this time as Best Actor. Ge You then teamed with director Zhang Yimou for “To Live” (1994). Zhang’s regular muse, Gong Li, took a back seat to Ge You for this transhistorical study of a well-to-do young man who gambles away his family fortunes but is sobered up by civil war, Chairman Mao’s “Great Leap Forward”, and the Cultural Revolution. Ge You’s intelligent, subtle acting conveyed Zhang’s implicit political critique as well as convincing drama, and the film’s international acclaim, combined with Ge You’s success on Chinese TV, have made him a leading light among newer Asian stars. He successfully followed up with a venture further back into history, playing a crafty musician who matches wits in the 3rd century BC with a newly united China’s harsh dynasty in director Zhou Xiaowen’s striking “The Emperor’s Shadow” (1996).

Since 1997, Ge You has collaborated with director Feng Xiaogang on several films and TV series. The pair are especially noted for their work on Feng’s recent comedies, including “Party A, Party B”, “Be There or Be Square”, and “Sorry, Baby”. Many mainland critics have noted that in these films Feng and Ge have established a new image of China’s ordinary man. Ge You starred in three films in 2010 that grossed about 1.2 billion yuan ($185 million) – or more than one-tenth of the year’s box office revenue.