The use of earthenware
began during the Jomon period, 10,500 to 300 B.C. "Jomon" is translated
as cord impressed. A method that pressed and rolled thick rice rope and
cord wrapped sticks onto the wet clay then smoothed. Cord designs were
used to decorate the tunic worn by this haniwa figure of a man produced
during the Kofun period. Kofun means "tumulus" or ancient mound and the
period is named after the enormous tombs that were constructed for the
ruling elite. These tombs were generally covered with large mounds of
earth and were often in the shape of keyholes, surrounded by moats. "Haniwa"
means circle of clay. The earliest examples were simple clay cylinders
like the base of this figure. The concept of encircling the holy space
forming the sacred void was the cornerstone of Japanese culture.
Vessels were placed
at the top of the burial mound, along the edges like an underground fence,
and at the entrance to the burial chamber. In prehistoric times the earliest
places of worship were certain stones of trees or waterfalls. They were
marked by lines of stones around them, or by ropes encircling them.
In the late fourth
century cylindrical haniwa horses were created. By the fifth and sixth
centuries sculptures like this man were found. They functioned as attendants
to the deceased and as symbols of his status. This figure wears Jodhpur
style pants under his long tunic. His beaded necklace and coronet were
part of the formal civilian attire worn by high-ranking members of Kofun
period society.
The comma shaped object
on the front of his tunic is speculated to be the hilt of a sword, or
a jade object called magatama. Possibly it follows a shape of a bear's
claw, which would be part of ceremonial decoration in prehistoric times.
Later magatama became one of three sacred insignia of emperors' status
along with the sword and the mirror.
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