Bill Viola
The serene figure
of Buddha in meditation-a still surface conceals the inner turmoil raging
below. This is the point just prior to enlightenment, a moment of supreme
tension when Shakyamuni, about to become a Buddha, must gather all his
strength and knowledge to defeat Mara and the powerful forces of illusion.
The knowledge and discoveries resulting from this great effort literally
changed the world. The figures shown surrounding the Buddha represent
scenes from his life and teachings-the first seven weeks after enlightenment
(the inner figures), and the Eight Great Events of his life (the outer
figures) including his death and transcendence, the paranirvana, shown
above.
This small sculpture
is an instrument of devotion and instruction, as well as a work of art,
and it comes to us from a time when Asia and Europe stood on common ground.
The depiction of a sacred figure in the commanding central position, with
scenes from life and deeds presented around as panels in a cinematic narrative
sequence, is familiar to anyone who has seen medieval depictions of the
Christian saints. By choosing stories of such stature, artists have put
their talents to use in the name of something much higher than mere illustration
or self-expression. That this work is physically beautiful and finely
crafted is evident to the eye and does not require further elaboration
or commentary. Virtuosic display of skill and technique, art for art's
sake, is out of place here. Works made for God must be the best that the
maker can do. Purity of mind and purpose in the artist, rather than theory
or technique, are the primary criteria for success in the making of the
artwork. In this context, the images that artists create are ultimately
designed not for mere aesthetic pleasure or intellectual engagement, but
to transform the life and being of the viewer.
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